I sometimes refer to 1968 as "The Year America Died". If you get a chance read 1968 The Year That Rocked The World by Mark Kurlansky. It was a hopeful time that came crashing down around our ears. A great deal of the positive and negative was reflected by a new arrival on Broadway.
In a year marked by as much social and cultural upheaval as 1968, it was understandable that the New York Times review of a controversial musical newly arrived on Broadway would describe the show in political terms. "You probably don't have to be a supporter of Eugene McCarthy to love it," wrote critic Clive Barnes, "but I wouldn't give it much chance among the adherents of Governor Reagan." The show in question was the now-famous "tribal love-rock musical" that introduced the era-defining song "Aquarius" and gave New York theatergoers a full-frontal glimpse of the burgeoning 60s-counterculture esthetic. Hair premiered on Broadway on April 29, 1968.
What a piece of work is a man! how noble in reason!
how infinite in faculty! in form and moving how
express and admirable! in action how like an angel!
in apprehension how like a god! the beauty of the
world! the paragon of animals! And yet, to me,
what is this quintessence of dust? man delights not
me: no, nor woman neither, though by your smiling
you seem to say so.