Brush Up Your Shakespeare

David Tennant reads Shakespeare sonnets



Two more with love



Then for fun, get the names of the plays as you Brush Up Your Shakespeare

Shakespeare and Seasons

Beautiful words and beautiful pictures, they just needed to be put together.

SONNET #73

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.

In me thou seest the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.

In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire
Consumed with that which it was nourish'd by.
This thou perceivest, which makes thy love more strong,
To love that well which thou must leave ere long.

In Good Company

In case you weren't alive in the 1980s or simply missed the show, check your library for the nine tapes that make up The Story of English or find a copy of the book that accompanied the series. There is a reason the whole world is trying to learn English as a universal language and that is the nimbleness with which you can express ideas. There is also a reason why almost no one can speak or write it well. You might as well give up completely on spelling. The English language is now approaching a million words and may have even reached it as new words keep getting added daily. To give you a comparison, French has about a 100,000 words codified and unchanging with a reviewing panel that rejects anything new that might be creeping into the purity. For a fun read on how to know the number of words, take a gander at The Language Monitor A well educated person can get by with less than 10,000 of the possible words in English while the Oxford English and Webster's just keep adding a new volume yearly.

English became the spectacular language it is courtesy of the Bard of Avon, the King James Bible and British colonialism. The Bard and the Bible built it and colonialism spread the already enormous language world wide while adopting any new words they ran into that sounded good or were simply untranslatable. Yesterday I mentioned that if it weren't for The Word Detective I would never have learned embiggens and cromulent. As it happens the writers over at The Simpsons have been even busier than suspected. They aren't quite into Shakespeare territory for inventing words and expressions, but they are giving the formation of language a good honest try.

So far the Simpsons have come up with:

Big wheel down at the cracker factory
Cheese-eating surrender monkey
Can't sleep, clown(s) will eat me
Cromulent
Embiggens
D'oh
Jebus
Kwyjibo
Meh
My eyes! The goggles do nothing!
Okily-Dokily
Our new ... Overlords
Yoink

Just to give you an idea of what they have to do to defeat the acknowledged undefeated champion, Shakespeare's contribution to the language either by invention of the word or by popularizing the use in his plays is shown below. So the guys over at Fox better get cracking if they even want to come close.

Nouns:

accused addiction alligator amazement anchovies assassination backing bandit bedroom bump buzzers courtship critic dauntless dawn design dickens discontent embrace employer engagements excitements exposure eyeball fixture futurity glow gust hint immediacy investments kickshaws leapfrog luggage manager mimic misgiving mountaineer ode outbreak pageantry pedant perusal questioning reinforcement retirement roadway rumination savagery scuffles shudders switch tardiness transcendence urging watchdog wormhole zany

Verbs:

besmirch bet blanket cake cater champion compromise cow denote deracinate dialogue dislocate divest drug dwindle elbow enmesh film forward gossip grovel hobnob humour hurry impedes jet jig label lapse lower misquote negotiate numb pander partner petition puke rant reword secure submerge swagger torture unclog


Adjectives:

aerial auspicious baseless beached bloodstained blushing circumstantial consanguineous deafening disgraceful domineering enrapt epileptic equivocal eventful fashionable foregone frugal generous gloomy gnarled hush inaudible invulnerable jaded juiced lackluster laughable lonely lustrous madcap majestic marketable monumental nervy noiseless oscene olympian premeditated promethean quarrelsome radiance rancorous reclusive remorseless rival sacrificial sanctimonious softhearted splitting stealthy traditional tranquil unmitigated unreal varied vaulting viewless widowed worthless yelping

Adverbs:

importantly instinctively obsequiously threateningly tightly trippingly unaware

Happy Birthday Will

Born 23 April (Maybe) 1564

When it comes to creative writing or speaking, there's something rotten in Denmark:  Bernard Levin said it best with the following -

"If you cannot understand my argument, and declare, "It's Greek to me", you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger, if your wish is father to the thought, if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise - why, be that as it may, the more fool you, for it is a foregone conclusion that you are (as luck would have it) quoting Shakespeare.



If you clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop); without rhyme or reason, then to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare.

Even if you bid me good riddance and send me packing, if you wish I was dead as a doornail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - By Jove! O Lord! Tut, Tut!; For goodness' sake!; What the dickens! But me no buts - It is all one to me

FOR YOU ARE QUOTING SHAKESPEARE"